Vladyslav Krasnoshchok
Vladyslav Krasnoshchok (1980, Kharkiv, Ukraine)
FR. Après avoir étudié la médecine, Vladyslav Krasnoshchok pratique activement la photographie à partir de l’année 2008. Membre du groupe Shilo depuis 2010 (aux côtés de Sergiy Lebedynskyy, Vadim Trykoz et Oleksiy Sobolev), Vladyslav a un style reconnaissable qui relève de la photographie documentaire monochrome : ses images sont transformées à l'aide de différentes manipulations techniques. Ces manipulations aboutissent à l'effet anachronique d’une surface vague et grainée, qui forment comme un « écran » amplifiant le sentiment de la contemporanéité. L’artiste souhaite montrer la dureté de la vie quotidienne en prenant la position d'une personne intérieure au sujet, comme dans sa série de photos Bolnichka, prise aux urgences de l’hôpital de Kharkiv, où Vladyslav Krasnoshchok a travaillé pendant 10 ans. Dans son œuvre, l’artiste utilise également la coloration à la main, notamment en ce qui concerne des archives anonymes de photographies d'époque trouvées sur les marchés aux puces. Les méthodes d'appropriation et de coloration à la main ont été développées dans la photographie de Kharkiv à la fin des années 1970, manifestant la continuité des traditions esthétiques locales. En élargissant les champs de la photographie, l'auteur associe ses clichés à des objets sculpturaux et expérimente l'art graphique, la gravure et le street art.
EN. After studying in Kharkiv Medical University in 1997-2002, Vladyslav Krasnoshchok has been actively practicing photography since 2008. He is a participant of the Shilo group since 2010 (together with Sergiy Lebedynskyy, Vadim Trykozand, Oleksiy Sobolev). The artist has a recognizable style of monochrome documentary shots: they are aesthetically transformed using different technical manipulations. Those manipulations result in the anachronistic effect of vague grained surface and form a "screen" that amplifies the experience of contemporaneity. The author is interested in showing the harshness of daily life, choosing the insider’s position, as in the Bolnichka series of shots taken at Kharkivs tate clinical hospital of emergency aid, where Vladyslav has been working for 10 years. In his projects, Vladyslav Krasnoshchok also uses hand-colouring, including tinting anonymous archives of vintage photographs found on Kharkiv flea market. Both methods of appropriation and hand-colouringevolved in Kharkiv photography in the late 1970s, demonstrating the continuity of traditions in the local community. Broadening the fields of photography, the author combines his shots with sculptural objects, and experiments with graphic art, engraving and street art.
FR. Après avoir étudié la médecine, Vladyslav Krasnoshchok pratique activement la photographie à partir de l’année 2008. Membre du groupe Shilo depuis 2010 (aux côtés de Sergiy Lebedynskyy, Vadim Trykoz et Oleksiy Sobolev), Vladyslav a un style reconnaissable qui relève de la photographie documentaire monochrome : ses images sont transformées à l'aide de différentes manipulations techniques. Ces manipulations aboutissent à l'effet anachronique d’une surface vague et grainée, qui forment comme un « écran » amplifiant le sentiment de la contemporanéité. L’artiste souhaite montrer la dureté de la vie quotidienne en prenant la position d'une personne intérieure au sujet, comme dans sa série de photos Bolnichka, prise aux urgences de l’hôpital de Kharkiv, où Vladyslav Krasnoshchok a travaillé pendant 10 ans. Dans son œuvre, l’artiste utilise également la coloration à la main, notamment en ce qui concerne des archives anonymes de photographies d'époque trouvées sur les marchés aux puces. Les méthodes d'appropriation et de coloration à la main ont été développées dans la photographie de Kharkiv à la fin des années 1970, manifestant la continuité des traditions esthétiques locales. En élargissant les champs de la photographie, l'auteur associe ses clichés à des objets sculpturaux et expérimente l'art graphique, la gravure et le street art.
EN. After studying in Kharkiv Medical University in 1997-2002, Vladyslav Krasnoshchok has been actively practicing photography since 2008. He is a participant of the Shilo group since 2010 (together with Sergiy Lebedynskyy, Vadim Trykozand, Oleksiy Sobolev). The artist has a recognizable style of monochrome documentary shots: they are aesthetically transformed using different technical manipulations. Those manipulations result in the anachronistic effect of vague grained surface and form a "screen" that amplifies the experience of contemporaneity. The author is interested in showing the harshness of daily life, choosing the insider’s position, as in the Bolnichka series of shots taken at Kharkivs tate clinical hospital of emergency aid, where Vladyslav has been working for 10 years. In his projects, Vladyslav Krasnoshchok also uses hand-colouring, including tinting anonymous archives of vintage photographs found on Kharkiv flea market. Both methods of appropriation and hand-colouringevolved in Kharkiv photography in the late 1970s, demonstrating the continuity of traditions in the local community. Broadening the fields of photography, the author combines his shots with sculptural objects, and experiments with graphic art, engraving and street art.
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Solo exhibitions:
2019 Homeland, Come-in gallery, Kharkiv, Ukraine 2018 How I Gave Up with Art, Aza Nizi Maza art centre, Kharkiv, Ukraine 2017 Before My Birth, Vovatanya gallery, Kharkiv, Ukraine. 2016 Ukraine — Memory under Revision, Alma Löv museum, Östra Ämterviks, Sweden 2015 Healing Muds, Spectrum Gallery at Lumiere Photo, Rochester, USA Chronicle, BildBand Berlin, Berlin, Germany. Discovery Award, as a part of Les Rencontres d’Arles festival, Arles, France- Euromaidan, Kaunas Photo, Kaunas, Lithuania Euromaidan, National Museum of Art, Riga, Latvia Healing Muds, Odessa/Batumi Photo Days, Batumi, Georgia 2014 Finished Dissertation, Asymetria Galeria, Warsaw, Poland. UPA hände hoch, Kharkiv Municipal Art Gallery, Kharkiv, Ukraine 2013 Tvorcheskiy vecher, Vovatanya gallery, Kharkiv, Ukraine 2014 Finished Dissertation, FotoLoft gallery, Moscow, Russia Timoshenko’s Escape or the first step to the exhibition on Mars, as a part of FotoFest’s Biennial 2013, Houston, USA Wellness Facilities, Open Gallery, Moscow, Russia. Hrushevskoho Street / Euromaidan, Open Gallery, Moscow, Russia 5х5 photoclub, Lviv, Ukraine 2011 Storing negatives, Kharkiv municipal art gallery, Kharkiv, Ukraine. 2010 Conserves, Kharkiv municipal art gallery, Kharkiv, Ukraine Group exhibitions (selection): 2021 Author in Game, curated by Sergiy Lebedynskyy, Nadia Kovalchuk and Sandra Osadcha, Yermilov Centre, Kharkiv, Ukraine 2020 Photo Basel, Berlin, Mironova gallery Artificial Pain, Znaki Czasu Art Center, Torun, Poland 2019 Storytelling from Kharkiv: Singular Voices, galerie Alexandra de Viveiros, curator Nadiia Kovalchuk, Paris, France Aeneas’s Way, as a part of Dante Fest 2019, Yermilov Centre, Kharkiv, Ukraine 2016 A Take on Vintage Photography, Vitas Lutskus Photography Centre, Šiauliai, Lithuania Nuit de la Photo, La Chaux-de-Fonds, Switzerland Deformation, as a part of Suwon Photo Festival, Suwon, Southern Korea |
Euromaidan: At the Break of Dawn, Addis Foto Fest, Addis Ababa, Ethiopia
2015 Love and War in Ukraine, Panoptikon Fotografins hus, Stockholm, Sweden Young Portfolio Exhibition, Kiyosato Museum of Photographic Arts, Hokuto, Yamanashi, Japan 2014 An Ocean of Possibilities, Noorderlicht Photofestival, Leeuwarden, Netherlands Handmade II, Anzenberger Gallery, Vienna, Austria I’m a drop in the ocean, Künstlerhaus, Vienna, Austria Ukraine — The freelancers’ War, as a part of the Festival of Ethical Photography, Lodi, Italy 2013 Act of Disobedience. Body as a Protest in Kharkiv Photography of 1970s-2010s, Lumiere brothers Center for Photography, Moscow, Russia International Discoveries IV, as a part of FotoFest 2013 Biennial, Houston, USA 2012 Kharkiv School of Photography. The Drawing lessons: Ukrainian Photography 1890-2010, as a part of the First Kyiv Biennial of Contemporary Art, Kyiv, Ukraine Contemporary Russian Photography. The young generation 2007-2012, as a part of FotoFest 2012 Biennial, Houston, USA Celeste Prize 2012, Musei Capitolini Centrale Montemartini, finalists’ show, Rome, Italy Stop allo 048 degli oggetti, Le Ciminiere art centre, Catania, Italy Articulation, as a part of the ІІІ International Moscow Biennial of Youth Art, Vinzavod Contemporary Art Center, Moscow, Russia 2011 International Portfolio Review, Moscow, Russia SHILO and friends. Photographs from East, as a part of East European Cinema Festival, Haus 23 gallery, Cottbus, Germany The Drawing lessons: Ukrainian Photography, as a part of International Photography Festival PIP, Pingyao, China Collections (selection): Centre Pompidou, Paris, France Museum of Kharkiv School of Photography (MOKSOP), Kharkiv, Ukraine Museum of Fine Arts, Houston, USA Kiyosato Museum of Photographic Arts, Hokuto, Yamanashi, Japan Museum of Modern Art, Rio de Janeiro, Brazil |
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Publications and Press (selection):
Soviet and contemporary Ukranian art, Centre Pompidou, France, The Art Newspaper, April 2021 Galerie Alexandra de Viveiros : 6 artistes rejoignent la collection du Centre Pompidou, L'Oeil de la Photographie, France, 2021 Shilo Group’s: From the Fog of the Barricades, by Feuerhelm, Brad in American Suburb X., December, 2015 Shilo Group, (in French) by les Rencloeildelaphotographie.com/fr/galerie-alexandra-de-viveiros-6-artistes-rejoignent-la-collection-du-centre-pompidou/?ct=t%28Newsletter+FR+03242021%29ontres de la Photographie d'Arles, 2015 Interview with Shilo group, by Anna Grabatskaya, Colta Ru, July 2015 Sarah Topol, Fugue State: The struggle for national identity in wartime Ukraine, Harper’s Magazine, July 2015 Donald Waber, The Rules of Photojournalism Are Keeping Us From the Truth, Medium, May 2015 Brad Feuerhelm, Shilo Group’s: From the Fog of the Barricades, American Suburb X., December 2015 Krasnoshchok Vladyslav, Lebedynskyy Sergiy. Euromaidan. Spain, Riot Books, 2014 Colin Pantall, Chronicle: No Progress, No Photography, Old Country, New Country, Colin Pantall’s blog Tatiana Pavlova, The Kharkiv Photography School. The Shilo Group, Widok, 2014 Reporter ohne Grenzen, Fotos für die Pressefreiheit, Berlin, TAZ Verlags- und Vertriebs, 2014 Golden Camera International Photo Award, Kyiv, Kyiv school of photography, 2012 |
Bibliography (selection):
Les Rencontres de la photographie d'Arles, exhibition catalogue, Actes Sud, 2015 Sergiy Lebedynskyy and Vladyslav Krasnlshchok: Chronicle, (Хронiкa), art book, Dncht Publishing, 2015 |