Vladyslav Krasnoshchok
Born in 1980, Kharkiv, Ukraine
EN After studying in Kharkiv Medical University in 1997-2002, Vladyslav Krasnoshchok has been actively practicing photography since 2008. He is a participant of the Shilo group since 2010 (together with Sergiy Lebedynskyy, Vadim Trykozand, Oleksiy Sobolev). The artist has a recognizable style of monochrome documentary shots: they are aesthetically transformed using different technical manipulations. Those manipulations result in the anachronistic effect of vague grained surface and form a "screen" that amplifies the experience of contemporaneity. The author is interested in showing the harshness of daily life, choosing the insider’s position, as in the Bolnichka series of shots taken at Kharkivs tate clinical hospital of emergency aid, where Vladyslav has been working for 10 years. In his projects, Vladyslav Krasnoshchok also uses hand-colouring, including tinting anonymous archives of vintage photographs found on Kharkiv flea market. Both methods of appropriation and hand-colouringevolved in Kharkiv photography in the late 1970s, demonstrating the continuity of traditions in the local community. Broadening the fields of photography, the author combines his shots with sculptural objects, and experiments with graphic art, engraving and street art.
FR Après avoir étudié la médecine, Vladyslav Krasnoshchok pratique activement la photographie à partir de l’année 2008. Membre du groupe Shilo depuis 2010 (aux côtés de Sergiy Lebedynskyy, Vadim Trykoz et Oleksiy Sobolev), Vladyslav a un style reconnaissable qui relève de la photographie documentaire monochrome : ses images sont transformées à l'aide de différentes manipulations techniques. Ces manipulations aboutissent à l'effet anachronique d’une surface vague et grainée, qui forment comme un « écran » amplifiant le sentiment de la contemporanéité. L’artiste souhaite montrer la dureté de la vie quotidienne en prenant la position d'une personne intérieure au sujet, comme dans sa série de photos Bolnichka, prise aux urgences de l’hôpital de Kharkiv, où Vladyslav Krasnoshchok a travaillé pendant 10 ans. Dans son œuvre, l’artiste utilise également la coloration à la main, notamment en ce qui concerne des archives anonymes de photographies d'époque trouvées sur les marchés aux puces. Les méthodes d'appropriation et de coloration à la main ont été développées dans la photographie de Kharkiv à la fin des années 1970, manifestant la continuité des traditions esthétiques locales. En élargissant les champs de la photographie, l'auteur associe ses clichés à des objets sculpturaux et expérimente l'art graphique, la gravure et le street art.
EN After studying in Kharkiv Medical University in 1997-2002, Vladyslav Krasnoshchok has been actively practicing photography since 2008. He is a participant of the Shilo group since 2010 (together with Sergiy Lebedynskyy, Vadim Trykozand, Oleksiy Sobolev). The artist has a recognizable style of monochrome documentary shots: they are aesthetically transformed using different technical manipulations. Those manipulations result in the anachronistic effect of vague grained surface and form a "screen" that amplifies the experience of contemporaneity. The author is interested in showing the harshness of daily life, choosing the insider’s position, as in the Bolnichka series of shots taken at Kharkivs tate clinical hospital of emergency aid, where Vladyslav has been working for 10 years. In his projects, Vladyslav Krasnoshchok also uses hand-colouring, including tinting anonymous archives of vintage photographs found on Kharkiv flea market. Both methods of appropriation and hand-colouringevolved in Kharkiv photography in the late 1970s, demonstrating the continuity of traditions in the local community. Broadening the fields of photography, the author combines his shots with sculptural objects, and experiments with graphic art, engraving and street art.
FR Après avoir étudié la médecine, Vladyslav Krasnoshchok pratique activement la photographie à partir de l’année 2008. Membre du groupe Shilo depuis 2010 (aux côtés de Sergiy Lebedynskyy, Vadim Trykoz et Oleksiy Sobolev), Vladyslav a un style reconnaissable qui relève de la photographie documentaire monochrome : ses images sont transformées à l'aide de différentes manipulations techniques. Ces manipulations aboutissent à l'effet anachronique d’une surface vague et grainée, qui forment comme un « écran » amplifiant le sentiment de la contemporanéité. L’artiste souhaite montrer la dureté de la vie quotidienne en prenant la position d'une personne intérieure au sujet, comme dans sa série de photos Bolnichka, prise aux urgences de l’hôpital de Kharkiv, où Vladyslav Krasnoshchok a travaillé pendant 10 ans. Dans son œuvre, l’artiste utilise également la coloration à la main, notamment en ce qui concerne des archives anonymes de photographies d'époque trouvées sur les marchés aux puces. Les méthodes d'appropriation et de coloration à la main ont été développées dans la photographie de Kharkiv à la fin des années 1970, manifestant la continuité des traditions esthétiques locales. En élargissant les champs de la photographie, l'auteur associe ses clichés à des objets sculpturaux et expérimente l'art graphique, la gravure et le street art.
Solo exhibitions:
2022 Le groupe Shilo et l'école de photographie de Kharkiv, Institut National de l’Histoire de l’Art, Paris, France
2021 Timoshenko's Escape, Paris Photo 2021, Curiosa, Alexandra de Viveiros gallery, Grand Palais Ephémère, Paris, France
2019 Homeland, Come-in gallery, Kharkiv, Ukraine
2018 How I Gave Up with Art, Aza Nizi Maza art centre, Kharkiv, Ukraine
2017 Before My Birth, Vovatanya gallery, Kharkiv, Ukraine.
2016 Ukraine — Memory under Revision, Alma Löv museum, Östra Ämterviks, Sweden
2015 Healing Muds, Spectrum Gallery at Lumiere Photo, Rochester, USA
Chronicle, BildBand Berlin, Berlin, Germany.
Discovery Award, as a part of Les Rencontres d’Arles festival, Arles, France
Euromaidan, Kaunas Photo, Kaunas, Lithuania
Euromaidan, National Museum of Art, Riga, Latvia
Healing Muds, Odessa/Batumi Photo Days, Batumi, Georgia
2014 Finished Dissertation, Asymetria Galeria, Warsaw, Poland. UPA hände hoch, Kharkiv Municipal Art Gallery, Kharkiv, Ukraine
2013 Tvorcheskiy vecher, Vovatanya gallery, Kharkiv, Ukraine
2014 Finished Dissertation, FotoLoft gallery, Moscow, Russia
Timoshenko’s Escape or the first step to the exhibition on Mars, as a part of FotoFest’s Biennial 2013, Houston, USA
Wellness Facilities, Open Gallery, Moscow, Russia. Hrushevskoho Street / Euromaidan, Open Gallery, Moscow, Russia
5х5 photoclub, Lviv, Ukraine
2011 Storing negatives, Kharkiv municipal art gallery, Kharkiv, Ukraine.
2010 Conserves, Kharkiv municipal art gallery, Kharkiv, Ukraine
Group exhibitions and events (selection):
2024 Ukrainian Dreamers, Communal Galerie, Berlin, Germany, curator: Sergiy Lebedyndskyy
Generations of Resilience - 22 Ukrainian photographers, Hangar, Brussels, Belgium, as a part of the PhotoBrussels Festival
curators: Hangar and Kateryna Radchenko
2023 Paris Photo, Main sector, Alexandra de Viveiros gallery, Grand Palais Ephémère, Paris, France
Ukrainian Dreamers. Kharkiv School of Photography, Kunstmuseum, Wolfsburg, Germany
Kharkiv School of Photography — 50 years of artistic photography in Ukraine, Kreis gallery, Nurnberg, Germany
Photo Basel, Alexandra de Viveiros gallery, Basel, Switzerland
Crossing Lines, as a part of the Foto Wien Festival, Foto Arsenal Wien, Vienna, Austria
Fruits of Wrath - Attempt at comprehension: Ukraine, Haus am Lützowplatz (HaL), Berlin, Germany
2022 Ukraine. Une donation contemporaine. Kharkiv, Kyiv, Odessa, Centre Pompidou, Paris, France
Paris Photo, Alexandra de Viveiros gallery, Grand Palais Ephémère, Paris, France
Paysage Présage, La Chambre, Réseau Diagonal, Strasbourg, France
The New Abnormal, House of Photography and Odesa Photo Days Festival, Hamburg, Germany
Ukraine: the Road to Freedom, Noorderlicht, Groningen, Neetherlands
La nuit de l’année, slide show, Les Rencontres de la Photographie d’Arles Festival, Arles, France
Piazza Ucraina, the project by Borys Filonenko, Lizaveta German, Maria Lanko in Giardini, Venezia, the 59th International Art Exhibition, Biennale Arte 2022
Photo London, Alexandra de Viveiros gallery, Somerset House, London, UK
The Kharkiv School, Centre Pompidou, 4th floor, hall 23, Paris, France
Once upon the war in KHARKIV, Alexandra de Viveiros gallery, Paris, France
2021 Author in Game, curated by Sergiy Lebedynskyy, Nadia Kovalchuk and Sandra Osadcha, Yermilov Centre, Kharkiv, Ukraine
Sensitivity. Contemporary Ukrainian Photography, Mystetskyi Arsenal, Kyiv, Ukraine
2020 Photo Basel, Mironova gallery, Berlin, Germany
Artificial Pain, Znaki Czasu Art Center, Torun, Poland
2019 Storytelling from Kharkiv: Singular Voices, galerie Alexandra de Viveiros, curator Nadiia Kovalchuk, Paris, France
Aeneas’s Way, as a part of Dante Fest 2019, Yermilov Centre, Kharkiv, Ukraine
2016 A Take on Vintage Photography, Vitas Lutskus Photography Centre, Šiauliai, Lithuania
Nuit de la Photo Festival, La Chaux-de-Fonds, Switzerland
Deformation, as a part of Suwon Photo Festival, Suwon, Southern Korea
Euromaidan: At the Break of Dawn, Addis Foto Fest, Addis Ababa, Ethiopia
2015 Love and War in Ukraine, Panoptikon Fotografins hus, Stockholm, Sweden
Young Portfolio Exhibition, Kiyosato Museum of Photographic Arts, Hokuto, Yamanashi, Japan
2014 An Ocean of Possibilities, Noorderlicht Photofestival, Leeuwarden, Netherlands Handmade II, Anzenberger Gallery, Vienna, Austria I’m a drop in the ocean, Künstlerhaus, Vienna, Austria
Ukraine — The freelancers’ War, as a part of the Festival of Ethical Photography, Lodi, Italy
2013 Act of Disobedience. Body as a Protest in Kharkiv Photography of 1970s-2010s, Lumiere brothers Center for Photography, Moscow, Russia
International Discoveries IV, as a part of FotoFest 2013 Biennial, Houston, USA
2012 Kharkiv School of Photography. The Drawing lessons: Ukrainian Photography 1890-2010, as a part of the First Kyiv Biennial of Contemporary Art, Kyiv, Ukraine
Contemporary Russian Photography. The young generation 2007-2012, as a part of FotoFest 2012 Biennial, Houston, USA
Celeste Prize 2012, Musei Capitolini Centrale Montemartini, finalists’ show, Rome, Italy
Stop allo 048 degli oggetti, Le Ciminiere art centre, Catania, Italy Articulation, as a part of the ІІІ International Moscow Biennial of Youth Art, Vinzavod Contemporary Art Center, Moscow, Russia
2011 International Portfolio Review, Moscow, Russia
SHILO and friends. Photographs from East, as a part of East European Cinema Festival, Haus 23 gallery, Cottbus, Germany
The Drawing lessons: Ukrainian Photography, as a part of International Photography Festival PIP, Pingyao, China
Collections (selection):
Collection of contemporary art of the city of Paris / Fonds d'art contemporain - Paris collection, Paris, France
Centre Pompidou, Paris, France
Museum of Kharkiv School of Photography (MOKSOP), Kharkiv, Ukraine
Museum of Fine Arts, Houston, USA
Kiyosato Museum of Photographic Arts, Hokuto, Yamanashi, Japan
Museum of Modern Art, Rio de Janeiro, Brazil
2022 Le groupe Shilo et l'école de photographie de Kharkiv, Institut National de l’Histoire de l’Art, Paris, France
2021 Timoshenko's Escape, Paris Photo 2021, Curiosa, Alexandra de Viveiros gallery, Grand Palais Ephémère, Paris, France
2019 Homeland, Come-in gallery, Kharkiv, Ukraine
2018 How I Gave Up with Art, Aza Nizi Maza art centre, Kharkiv, Ukraine
2017 Before My Birth, Vovatanya gallery, Kharkiv, Ukraine.
2016 Ukraine — Memory under Revision, Alma Löv museum, Östra Ämterviks, Sweden
2015 Healing Muds, Spectrum Gallery at Lumiere Photo, Rochester, USA
Chronicle, BildBand Berlin, Berlin, Germany.
Discovery Award, as a part of Les Rencontres d’Arles festival, Arles, France
Euromaidan, Kaunas Photo, Kaunas, Lithuania
Euromaidan, National Museum of Art, Riga, Latvia
Healing Muds, Odessa/Batumi Photo Days, Batumi, Georgia
2014 Finished Dissertation, Asymetria Galeria, Warsaw, Poland. UPA hände hoch, Kharkiv Municipal Art Gallery, Kharkiv, Ukraine
2013 Tvorcheskiy vecher, Vovatanya gallery, Kharkiv, Ukraine
2014 Finished Dissertation, FotoLoft gallery, Moscow, Russia
Timoshenko’s Escape or the first step to the exhibition on Mars, as a part of FotoFest’s Biennial 2013, Houston, USA
Wellness Facilities, Open Gallery, Moscow, Russia. Hrushevskoho Street / Euromaidan, Open Gallery, Moscow, Russia
5х5 photoclub, Lviv, Ukraine
2011 Storing negatives, Kharkiv municipal art gallery, Kharkiv, Ukraine.
2010 Conserves, Kharkiv municipal art gallery, Kharkiv, Ukraine
Group exhibitions and events (selection):
2024 Ukrainian Dreamers, Communal Galerie, Berlin, Germany, curator: Sergiy Lebedyndskyy
Generations of Resilience - 22 Ukrainian photographers, Hangar, Brussels, Belgium, as a part of the PhotoBrussels Festival
curators: Hangar and Kateryna Radchenko
2023 Paris Photo, Main sector, Alexandra de Viveiros gallery, Grand Palais Ephémère, Paris, France
Ukrainian Dreamers. Kharkiv School of Photography, Kunstmuseum, Wolfsburg, Germany
Kharkiv School of Photography — 50 years of artistic photography in Ukraine, Kreis gallery, Nurnberg, Germany
Photo Basel, Alexandra de Viveiros gallery, Basel, Switzerland
Crossing Lines, as a part of the Foto Wien Festival, Foto Arsenal Wien, Vienna, Austria
Fruits of Wrath - Attempt at comprehension: Ukraine, Haus am Lützowplatz (HaL), Berlin, Germany
2022 Ukraine. Une donation contemporaine. Kharkiv, Kyiv, Odessa, Centre Pompidou, Paris, France
Paris Photo, Alexandra de Viveiros gallery, Grand Palais Ephémère, Paris, France
Paysage Présage, La Chambre, Réseau Diagonal, Strasbourg, France
The New Abnormal, House of Photography and Odesa Photo Days Festival, Hamburg, Germany
Ukraine: the Road to Freedom, Noorderlicht, Groningen, Neetherlands
La nuit de l’année, slide show, Les Rencontres de la Photographie d’Arles Festival, Arles, France
Piazza Ucraina, the project by Borys Filonenko, Lizaveta German, Maria Lanko in Giardini, Venezia, the 59th International Art Exhibition, Biennale Arte 2022
Photo London, Alexandra de Viveiros gallery, Somerset House, London, UK
The Kharkiv School, Centre Pompidou, 4th floor, hall 23, Paris, France
Once upon the war in KHARKIV, Alexandra de Viveiros gallery, Paris, France
2021 Author in Game, curated by Sergiy Lebedynskyy, Nadia Kovalchuk and Sandra Osadcha, Yermilov Centre, Kharkiv, Ukraine
Sensitivity. Contemporary Ukrainian Photography, Mystetskyi Arsenal, Kyiv, Ukraine
2020 Photo Basel, Mironova gallery, Berlin, Germany
Artificial Pain, Znaki Czasu Art Center, Torun, Poland
2019 Storytelling from Kharkiv: Singular Voices, galerie Alexandra de Viveiros, curator Nadiia Kovalchuk, Paris, France
Aeneas’s Way, as a part of Dante Fest 2019, Yermilov Centre, Kharkiv, Ukraine
2016 A Take on Vintage Photography, Vitas Lutskus Photography Centre, Šiauliai, Lithuania
Nuit de la Photo Festival, La Chaux-de-Fonds, Switzerland
Deformation, as a part of Suwon Photo Festival, Suwon, Southern Korea
Euromaidan: At the Break of Dawn, Addis Foto Fest, Addis Ababa, Ethiopia
2015 Love and War in Ukraine, Panoptikon Fotografins hus, Stockholm, Sweden
Young Portfolio Exhibition, Kiyosato Museum of Photographic Arts, Hokuto, Yamanashi, Japan
2014 An Ocean of Possibilities, Noorderlicht Photofestival, Leeuwarden, Netherlands Handmade II, Anzenberger Gallery, Vienna, Austria I’m a drop in the ocean, Künstlerhaus, Vienna, Austria
Ukraine — The freelancers’ War, as a part of the Festival of Ethical Photography, Lodi, Italy
2013 Act of Disobedience. Body as a Protest in Kharkiv Photography of 1970s-2010s, Lumiere brothers Center for Photography, Moscow, Russia
International Discoveries IV, as a part of FotoFest 2013 Biennial, Houston, USA
2012 Kharkiv School of Photography. The Drawing lessons: Ukrainian Photography 1890-2010, as a part of the First Kyiv Biennial of Contemporary Art, Kyiv, Ukraine
Contemporary Russian Photography. The young generation 2007-2012, as a part of FotoFest 2012 Biennial, Houston, USA
Celeste Prize 2012, Musei Capitolini Centrale Montemartini, finalists’ show, Rome, Italy
Stop allo 048 degli oggetti, Le Ciminiere art centre, Catania, Italy Articulation, as a part of the ІІІ International Moscow Biennial of Youth Art, Vinzavod Contemporary Art Center, Moscow, Russia
2011 International Portfolio Review, Moscow, Russia
SHILO and friends. Photographs from East, as a part of East European Cinema Festival, Haus 23 gallery, Cottbus, Germany
The Drawing lessons: Ukrainian Photography, as a part of International Photography Festival PIP, Pingyao, China
Collections (selection):
Collection of contemporary art of the city of Paris / Fonds d'art contemporain - Paris collection, Paris, France
Centre Pompidou, Paris, France
Museum of Kharkiv School of Photography (MOKSOP), Kharkiv, Ukraine
Museum of Fine Arts, Houston, USA
Kiyosato Museum of Photographic Arts, Hokuto, Yamanashi, Japan
Museum of Modern Art, Rio de Janeiro, Brazil
Bibliography (selection):
Vladyslav Krasnoshchok, Bolinchka, art book, MOKSOP Museum, Kharkiv, Ukraine, 2023
"The Information Front, #2. “Ukraine – The Path to Freedom”, Schilt Publishing, Netherlands, 2022
"Nuit de la photo 2016", exhibition catalogue, La Chaux-de-Fonds, France, 2016
"Chronicle", Shilo Group, Krasnoshchok Vladyslav, Lebedynskyy Sergiy, 2015
"Shilo Group", Krzysztof Candrowicz, Les Rencontres de la Photographie d’Arles Catalogue, France, 2015
"Fotofest 2014 Biennial" Catalogue, Ambsterdam, Schilt Publishing, Netherlands, 2014
"Euromaidan", Krasnoshchok Vladyslav, Lebedynskyy Sergiy, Riot Books, Spain, 2014
"Noordelicht: An ocean of Possibilities", exhibition catalogue, Leeuwarden, Aurora Borealis, 2014
"IV International photofestival Photovisa", exhibition catalogue, Krasnodar, Russian Federation, 2012
"2012 Golden Camera International Photo Award", Kyiv, Kyiv school of photography, Ukraine, 2012
"Contemporary Photography", Fotofest 2012 Biennial, Amsterdam, Schilt Publishing, Netherlands, 2012
Publications and press (selection):
Krieg auf den zweiten Blick. Die diesjährige Photo Basel bietet einen Streifzug durch die Kunst- und Menschheitsgeschichte", BZ Basel, GE, Patrick Marcolli, 15 June, 2023
"Quand l'Ecole de Kharkiv en avait plein le dogmes", Libération, Clémentine Mercier, Feb 28, 2023
"L'oeil de Kharkiv", Les Cahiers du témoignage chrétien, FR, Jean-François Bouthors, winter 2023
"Le Crucifix de Vladyslav Krasnoshchok" link, L’Oeil de la photographie, Jean Loh, Feb 2023
"Du Chili à l’Ukraine. Quand les musées s’exilent face à la guerre ou aux dictateurs", Beaux Art Magazine, Emanuelle Lequeux & Natacha Wolinski, Jan 2023
"Paris Photo : quelques morceaux de choix parmi un monceau de merveilles", Télérama, Yasmine Youssi, Nov 10, 2022
"Les Insolites Photographes de Kharkiv", M Le Monde Magazine, Roxana Azimi, Sept 2022 DOWNLOAD THE ARTICLE
"An artist in Ukraine captures the war in black and white", NPR, Jason Beaubien, June 2022
"Photo London, une diversité de regards sur l’Ukraine", Le Monde, Roxana Azimi, May 13, 2022
"The Kharkiv School of Photography – in pictures", The Guardian, May 13,
"Photo London 2022. Top five fair highlights. Selected by Alex Merola", 1000 Words, May 11, 2022
"À Kharkiv, l'art sous les bombes", Marie Claire, Galia Loupan, April 1, 2022
"Kharkiv : sous les bombes russes, une école de photographie singulière en danger", Marianne, Anne Dastakian, March 26, 2022
"LES NOUVEAUX VISAGES DE PARIS PHOTO", interview avec Shoair Mavlian par Léonor Matet, Polka Magazine, Num 55, 10 Nov 2021
"A la recherche d'Yulia Timoshenko", by Christophe Airaud, France Info, Nov 2021
"Paris Photo 2021. Secteur Curiosa", Slash Paris, Nov 2021
"Paris Photo 2021 : 5 jeunes talents de la photographie à découvrir absolument", by Matthieu Jacquet, NUMERO, 5 Novembre 2021
"Дала драпу Побег Юлии Тимошенко в проекте Шила", Anton Shebetko, Bird in Flight, 17 Nov, 2021
"Focus sur le secteur Curiosa à Paris Photo", by Sophie Bernard, Blind. Photography at First Sight, Nov 2021
"Soviet and contemporary Ukranian art", Centre Pompidou, France, The Art Newspaper, April 2021
"Galerie Alexandra de Viveiros : 6 artistes rejoignent la collection du Centre Pompidou", L'Oeil de la Photographie, France, 2021
"Shilo Group’s: From the Fog of the Barricades", American Suburb X., Brad Feuerhelm, Dec 2015
"Shilo Group", les Rencontres de la Photographie d'Arles, 2015
"Interview with Shilo group", Colta Ru, Anna Grabatskaya, July 2015
"Fugue State: The struggle for national identity in wartime Ukraine", Harper’s Magazine, Sarah Topol, July 2015
"The Rules of Photojournalism Are Keeping Us From the Truth", Medium, Donald Waber, May 2015
"Chronicle: No Progress, No Photography, Old Country, New Country", Colin Pantall’s blog, Colin Pantall, 2014
"The Kharkiv Photography School. The Shilo Group", Widok, Tatiana Pavlova, 2014
"Reporter ohne Grenzen, Fotos für die Pressefreiheit", Berlin, TAZ Verlags- und Vertriebs, 2014
Shilo Group portfolio download
Vladyslav Krasnoshchok, Bolinchka, art book, MOKSOP Museum, Kharkiv, Ukraine, 2023
"The Information Front, #2. “Ukraine – The Path to Freedom”, Schilt Publishing, Netherlands, 2022
"Nuit de la photo 2016", exhibition catalogue, La Chaux-de-Fonds, France, 2016
"Chronicle", Shilo Group, Krasnoshchok Vladyslav, Lebedynskyy Sergiy, 2015
"Shilo Group", Krzysztof Candrowicz, Les Rencontres de la Photographie d’Arles Catalogue, France, 2015
"Fotofest 2014 Biennial" Catalogue, Ambsterdam, Schilt Publishing, Netherlands, 2014
"Euromaidan", Krasnoshchok Vladyslav, Lebedynskyy Sergiy, Riot Books, Spain, 2014
"Noordelicht: An ocean of Possibilities", exhibition catalogue, Leeuwarden, Aurora Borealis, 2014
"IV International photofestival Photovisa", exhibition catalogue, Krasnodar, Russian Federation, 2012
"2012 Golden Camera International Photo Award", Kyiv, Kyiv school of photography, Ukraine, 2012
"Contemporary Photography", Fotofest 2012 Biennial, Amsterdam, Schilt Publishing, Netherlands, 2012
Publications and press (selection):
Krieg auf den zweiten Blick. Die diesjährige Photo Basel bietet einen Streifzug durch die Kunst- und Menschheitsgeschichte", BZ Basel, GE, Patrick Marcolli, 15 June, 2023
"Quand l'Ecole de Kharkiv en avait plein le dogmes", Libération, Clémentine Mercier, Feb 28, 2023
"L'oeil de Kharkiv", Les Cahiers du témoignage chrétien, FR, Jean-François Bouthors, winter 2023
"Le Crucifix de Vladyslav Krasnoshchok" link, L’Oeil de la photographie, Jean Loh, Feb 2023
"Du Chili à l’Ukraine. Quand les musées s’exilent face à la guerre ou aux dictateurs", Beaux Art Magazine, Emanuelle Lequeux & Natacha Wolinski, Jan 2023
"Paris Photo : quelques morceaux de choix parmi un monceau de merveilles", Télérama, Yasmine Youssi, Nov 10, 2022
"Les Insolites Photographes de Kharkiv", M Le Monde Magazine, Roxana Azimi, Sept 2022 DOWNLOAD THE ARTICLE
"An artist in Ukraine captures the war in black and white", NPR, Jason Beaubien, June 2022
"Photo London, une diversité de regards sur l’Ukraine", Le Monde, Roxana Azimi, May 13, 2022
"The Kharkiv School of Photography – in pictures", The Guardian, May 13,
"Photo London 2022. Top five fair highlights. Selected by Alex Merola", 1000 Words, May 11, 2022
"À Kharkiv, l'art sous les bombes", Marie Claire, Galia Loupan, April 1, 2022
"Kharkiv : sous les bombes russes, une école de photographie singulière en danger", Marianne, Anne Dastakian, March 26, 2022
"LES NOUVEAUX VISAGES DE PARIS PHOTO", interview avec Shoair Mavlian par Léonor Matet, Polka Magazine, Num 55, 10 Nov 2021
"A la recherche d'Yulia Timoshenko", by Christophe Airaud, France Info, Nov 2021
"Paris Photo 2021. Secteur Curiosa", Slash Paris, Nov 2021
"Paris Photo 2021 : 5 jeunes talents de la photographie à découvrir absolument", by Matthieu Jacquet, NUMERO, 5 Novembre 2021
"Дала драпу Побег Юлии Тимошенко в проекте Шила", Anton Shebetko, Bird in Flight, 17 Nov, 2021
"Focus sur le secteur Curiosa à Paris Photo", by Sophie Bernard, Blind. Photography at First Sight, Nov 2021
"Soviet and contemporary Ukranian art", Centre Pompidou, France, The Art Newspaper, April 2021
"Galerie Alexandra de Viveiros : 6 artistes rejoignent la collection du Centre Pompidou", L'Oeil de la Photographie, France, 2021
"Shilo Group’s: From the Fog of the Barricades", American Suburb X., Brad Feuerhelm, Dec 2015
"Shilo Group", les Rencontres de la Photographie d'Arles, 2015
"Interview with Shilo group", Colta Ru, Anna Grabatskaya, July 2015
"Fugue State: The struggle for national identity in wartime Ukraine", Harper’s Magazine, Sarah Topol, July 2015
"The Rules of Photojournalism Are Keeping Us From the Truth", Medium, Donald Waber, May 2015
"Chronicle: No Progress, No Photography, Old Country, New Country", Colin Pantall’s blog, Colin Pantall, 2014
"The Kharkiv Photography School. The Shilo Group", Widok, Tatiana Pavlova, 2014
"Reporter ohne Grenzen, Fotos für die Pressefreiheit", Berlin, TAZ Verlags- und Vertriebs, 2014
Shilo Group portfolio download